My work exists as a field of chromatic tension, where material and emotion collapse into one surface.

Working primarily with molten wax, each piece develops through controlled instability. Heat, gravity, and pigment interact on the surface, allowing the painting to organize itself through movement rather than predetermined form.

Layers are poured, fused, fractured, and disturbed while still unstable. As the material cools, it records traces of this process: cracks, sedimented pigments, threads, and shifting transparencies.

Color is not used descriptively, but structurally. Each pigment carries an emotional weight that governs the experience of the piece, guiding the eye and defining its internal gravity.

Gold appears not as decoration, but as interruption. It introduces light, tension, and imbalance within the surface.

These works are not representations, but presences. They are meant to be felt before they are understood.